WORLD STUDY · 79 AD
Before history became ruins.
Architecture, scale and atmosphere are being tuned to feel inhabited—not reconstructed.
One character slips through moments that should never meet. Pompeii. The Titanic. The trenches. The project is being built one controlled experiment at a time.
Each stage solves a different continuity problem. The states below show what is locked, what is being refined and what still has to survive the edit.
A single traveller crosses impossible moments in history. The narrative rule and visual direction are set.
Faces, wardrobe and emotion are tested across eras without losing the thread between shots.
Pompeii streets, ocean-liner decks and wartime spaces are developed as believable worlds.
Composition, camera language and visual continuity are pushed scene by scene.
The strongest shots become one coherent film. Everything else stays on the lab floor.
WORLD STUDY · 79 AD
Architecture, scale and atmosphere are being tuned to feel inhabited—not reconstructed.
CHARACTER STUDY · 1916
The face carries the sequence when the world around it changes.
LOCATION TEST · 1912
Period detail matters, but the frame must still serve the tension.
This page will change as tests become scenes and scenes become the final sequence.